When Maya, a young Russian film-maker, makes a low-budget horror movie with her friends, it seems like a promising start to a career in indie film. Little does she know that her jokey lo-fi satire will soon attract the attention of the autocratic censors at the highest levels of the Russian police state.
What follows is a propulsive narrative of an artist being crushed by state power, and the choices that one makes within a system where free expression is literally illegal. The first novel published by a dissident emigre from Putin’s Russia, The Undead, is a tense, piercing story that serves as a parable, and a warning, about political oppression.
Contributors
Svetlana Satchkova is a Russian-born journalist and writer who immigrated to the United States in 2016. She is an established arts journalist with bylines in the Rumpus, Newsweek, LARB, and others. She is currently a research fellow at the Jordan Center for the Advanced Study of Russia at New York University, has an MFA from Brooklyn College, and lives in Brooklyn. The Undead is her first novel in English.